Posto de Escuta
The first three tracks [of Noite de Morabeza] are mellow but rhythmic. Funana
di Nha Bonga begins in a similar jazzy vein and then bridges to a funana, a Cape Verdean dance rhythm, that gathers steam punctuated by booming basslines. The title cut transitions from a ballad-like tempo into a picante cha cha that stands up to the best of the Cuban charangas. Boy Ge Mendes has forged a unique acoustic sound for himself on these two albums. His vocals have that languid tropical humidity and the instrumental/percussion backup percolates with an intensity that dovetails perfectly. Noite de Morabeza is another finely crafted work that surprises both with its melodic depth and percussive swing.
di Nha Bonga begins in a similar jazzy vein and then bridges to a funana, a Cape Verdean dance rhythm, that gathers steam punctuated by booming basslines. The title cut transitions from a ballad-like tempo into a picante cha cha that stands up to the best of the Cuban charangas. Boy Ge Mendes has forged a unique acoustic sound for himself on these two albums. His vocals have that languid tropical humidity and the instrumental/percussion backup percolates with an intensity that dovetails perfectly. Noite de Morabeza is another finely crafted work that surprises both with its melodic depth and percussive swing.Numa palavra, sublime.
publicada por Lucky @ 5:13 da tarde
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